False Memories are a series of poems written by J.M.Fox.
Each poem takes the inner monologue of the protagonist and develops the thought process that goes through his or her mind.
'The Actor' the second of these poems takes the internal, intimate thoughts of a professional actor, as he returns to his small hometown.
Paul Dibley has used 'The Actor' as a basis for a piece of radio art. It has become an exploration of human utterance and computer generated voices. The text is all spoken by computer - including the accents.
This piece develops the colliding of artificial utterances (sounding 'real') and the surrounding recordings of processed human voice (sounding 'unreal').
The text is by J M Fox
Moving from human utterance to a dystopian
wild landscape, natural sounds are interspersed with a range of sorrowful
sonorities, eking out and building on the misery of the soundscape. Brief
gestural sections punctuate the evolutions, allowing the composition to move
into different textural realms. Material was recorded at Lake Vyrnwy (Llyn Efyrnwy in Welsh).
This work can be seen as a sonic protest 'song'. Lake Vyrnwy was created to bring clean water to the English city of Liverpool and was one of many reservoirs built (flooding valleys and drowning villages) in Wales during the 19th and 20th centuries. The locals and Welsh MPs were rarely consulted and the decision was made from on high by the British Government. This reached a pivotal momentum the 1960s with 'Cofiwch Dryweryn', a graffitied stone
wall in Llanrhystud, Wales. Meic Stephens
originally painted the words onto the wall in the early 1960s following
the decision by the Liverpool City Council to flood the Tryweryn Valley
to create a reservoir. This was the beginnings of the Welsh Nationalist movement.
PAUL DIBLEY BIOG
Paul Dibley is a Welsh composer and sonic artist, and is also Principal Lecturer in Music and Programme Lead for Media Arts at Oxford Brookes University, UK.
He is Co-Director of the Sonic Art Research Unit and co-founder of the Audiograft festival.
In 2003 Paul completed a PhD in Musical Composition at the University of Birmingham, UK, where he studied with Professor Jonty Harrison. As well as composing electroacoustic compositions (often specializing in using the human voice), he creates compositions for instruments and live electronics. Recent projects include working with Okeanos, Jane Chapman and Jos Zwaanenburg.
paul.dibley@brookes.ac.uk
AUDIO CD
Published as Audio CD: SPECTRUM Vol. 1.
Phasma-Music music label Released: August 2020
https://www.amazon.co.uk/Is-y-Coed/dp/B08DQTGLMD
http://www.phasma-music.com/catalogue/spectrum_vol-1
PERFORMANCES
Performed at Audiograft 2019 : http://www.audiograft.co.uk/programme/friday/
Selected and performed at the International Computer Music Conference 2019: ICMC2019 /
New York City Electroacoustic Music Festival July 2019
Programme:
https://nycemf.org/wp-content/uploads/2019/06/2019-Program-Book-with-cover-1.pdf
Selected and performed at FESTIVAL FUTURA: www.festivalfutura.fr 22 August 2019
Broadcast on Acoustic Frontiers - June 2020 - Airing on CKCU-FM (www.ckcufm.com for live streaming)
https://www.degem.de/degem-news-radio-acoustic-frontiers-playlist-june-2020/
Selected for AfrikaBurn, Tankwa, South Africa April 2020 to May 2020 [postponed due to Coronavirus)
Broadcast on Marginalized Sound (RadioStation/USA): 21 January 2021
Just a short clip of a project I am currently working on :) Should be finished soon(ish)...
Berlioz lecture and composition workshop given at Grey Court Hospital School today. Here is the sound shape the students at Grey Coat Hospital created yesterday from sounds they had recorded: https://clyp.it/wivng3io
http://www.sound-diaries.co.uk/previous-sound-diaries-projects/2016-2/sonic-advent-calendar-2016/
Introducing electroacoustic composition in the Music talk taster lecture. @musicatbrookes
The music team @amwilson_opera Jan Butler Dai Griffiths @BarbaraEichner Craig Prosser @paul_whitty Paul Dibley
David Carugo and Paul Dibley at Café Diffusion last Wednesday.
The
audience, sitting around bistro-style tables, can choose to listen to
the sound diffusion, listen closely using headphones (headphone amps
available on each table) or choose to chat amongst themselves. Don't
forget to bring your favourite headphones!
Doors open at 6pm with sounds from the 60x60 project with
60 pieces of music, each lasting no more than 60 seconds. Programme
includes works by Harriet Butler, David Carugo, Darren Copeland, Stephen
Cornford, Paul Dibley, Rajmil Fischman, Diego Garro, Geoff Geer, Brett
Gordon, Iain Harvie, Jonty Harrison, Tim Howle, Andrew Lewis, Adrian
Marchant, Alistair MacDonald, Adrian Moore, Rick Nance, Antti Saario,
Nikki Sheth, Robert Scott Thompson, and lots more... Visuals by Adrian
Pawley.
Book now (tickets are free) to make sure you have a seat at a table!