Moving from human utterance to a dystopian
wild landscape, natural sounds are interspersed with a range of sorrowful
sonorities, eking out and building on the misery of the soundscape. Brief
gestural sections punctuate the evolutions, allowing the composition to move
into different textural realms. Material was recorded at Lake Vyrnwy (Llyn Efyrnwy in Welsh).
This work can be seen as a sonic protest 'song'. Lake Vyrnwy was created to bring clean water to the city of Liverpool and was one of many reservoirs built (flooding valleys and drowning villages) in Wales during the 19th and 20th centuries. The locals and Welsh MPs were rarely consulted and the decision was made from on high by the British Government. This reached a pivotal momentin the 1960s with 'Cofiwch Dryweryn', a graffitied stone
wall in Llanrhystud, Wales. Meic Stephens
originally painted the words onto the wall in the early 1960s following
the decision by the Liverpool City Council to flood the Tryweryn Valley
to create a reservoir. This was the beginnings of the Welsh Nationalist movement.
PAUL DIBLEY BIOG
Paul Dibley is a Welsh composer and sonic
artist, and is also Principal Lecturer in Music and Programme Lead for Media
Arts at Oxford Brookes University, UK.
He is Co-Director of the Sonic Art Research
Unit and co-founder of the Audiograft festival.
In 2003 Paul completed a PhD in Musical
Composition at the University of Birmingham, UK, where he studied with
Professor Jonty Harrison. As well as
composing electroacoustic compositions (often specializing in using the human
voice), he creates compositions for instruments and live electronics. Recent
projects include working with Okeanos, Jane Chapman and Jos Zwaanenburg.